It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck. It was part of the great rupture and an effect of Mrs. Gereth's character that up to this moment she had been completely and haughtily indifferent to that detail. Now, however, she had a visible reason for being clear about it. She bethought herself and she broke out—"Isn't the day past?" Then, stopping short, she added: "Upon my word, they must have put it off!" As Fleda made no answer to this she sharply went on: "Have they put it off?"!

"No. He told me nothing but the great gawk of a fact. I saw him but for three minutes." She was silent again, and Fleda, as before some lurid image of this interview, sat without speaking. "Do you wish to appear as if you don't care?" Mrs. Gereth presently demanded. He laughed out at this, and she wondered if, with a new-born acuteness, he saw the absurdity of her speech, and that no one was happy just because no one could be what she so lightly prescribed. "I don't pretend to be perfect, but I shall find a letter to-night!"

"So as not to aggravate Mona?" Fleda suggested. Fleda had had no one in particular in mind; she had never believed in the myrmidons; but the tone in which Mrs. Gereth spoke added to her suspense. "What did you do to them?" "Of course he doesn't know!" cried Fleda indignantly.